(eq. sampler synthesizer)
 
     ACOUSTIC ENERGY
     ALBION
     ALVA
     APOGEE
     APOGEE LIGHTING
     AUDIOENGINE
     AUDIOLAB
     BEHRINGER
     BLACK RHODIUM
     BOSPHORUS CYMBALS
     BRAUNER
     CHORD COMPANY
     CME
     COEF
     DAVE SMITH
     DEAN MARKLEY
     EDIFIER
     F.A.L. LIGHTING
     FALCON ACOUSTIC
     FRONTIER DESIGN
     GHOST ACOUSTICS
     HI FI KOMPLETI
     HOSA TECHNOLOGY
     IBANEZ
     JBL Stage
     JJ ELECTRONICS
     KEITH MCMILLEN
     KLOTZ CABLES
     M-AUDIO
     MISSION
     NAD
     NAGAOKA
     NATIVE INSTRUMENTS
     NOWSONIC
     ON STAGE STANDS
     PARASOUND
     PEARL
     PHIL JONES BASS
     PHONIC
     PIONEER PRO DJ
     POWERGRIP
     QUAD
     RANDALL
     RAZGLASNI KOMPLETI
     RME
     ROGER LINN
     SE ELECTRONICS
     SENNHEISER
     SHERWOOD
     SUPERLUX
     TANNOY STUDIO
     ULTRASONE
     VIC FIRTH
     WHARFEDALE HIFI
     WHARFEDALE PRO
     WMI
     YAMAHA
     ZOOM
 

 

 



FOCUSRITE
OctoPre



NAMM 2002 saw the unveiling of the latest Focusrite processor, the Platinum OctoPre. Providing 8 pristine discrete channels of Focusrite Class A mic pre and compression, OctoPre routes directly to any digital audio workstation via eight standard analog outputs, or via a choice of 2 optional 24-bit, 96kHz A/D converters. The new OctoPre offers the unique qualities associated with the Focusrite name at an affordable price.
Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic pres featured in OctoPre are the same as those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary Red and ISA mic pres, ensuring detail and clarity without colouration. The first 2 'super channels' also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analog inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLRs by means of an 8-way 25-pin D-type to 8 XLR breakout cable, available. In addition to the analog outputs, the OctoPre can be fitted with one of the following 2 digital output options:
24-bit/96 kHz ADATs Interface Card.
This card provides digital outputs for all 8 OctoPre channels, which operate over the full sample frequency range (44.1, 48, 88.2 and 96 kHz) and can be dithered to 16-, 20-, or 24-bit depths depending upon the destination. External word clock synchronization is possible using the rear panel BNC connector. The card features 2 ADATs-type lightpipe output connectors. For speeds up to 48KHz both connectors transmit all 8 channels simultaneously. However, ADATs-type connectors are bandwidth limited at sample rates above 48 kHz - each audio channel uses 2 ADATs digital channels to accommodate the increased quantity of data, hence the need for 2 ADATs connectors to allow 8 channels of conversion at high speed.
24-bit/96 kHz AES/SPDIF/ADATs Interface Card.
This card contains exactly the same ADATs-type digital output facilities as described above, with the addition of AES and SPDIF format outputs via a 9-pin D-type connector on the rear panel. As with the ADATs-type outputs, the full range of sample rates and bit depths are available, and the converter may be synchronized to an external word clock source if required. To access the digital signals from the 9-pin D-type AES/SPDIF output connector the A/D card must be purchased with either an AES or SPDIF D-Type conversion cable, available separately. Either 8 AES or 8 SPDIF outputs can be used simultaneously with 8 ADATs outputs and the OctoPre‰s analog outputs. With Class A Focusrite processing and almost all the interface options known to man, the Platinum Octopre is the perfect partner for any Pro Tools system or any other digital audio workstation, making high quality, multi-channel recording easy. Equally it could be utilised as an instant location recording solution, or as an additional set of mic pres for any analog or digital console, or hard disk recorder.

Technical Description
Inputs: Electronically balanced 20k ohms. Nominal level +4dBu / -10dBV
Input Connectors:
O in. jack (channels one and two only)
25 pin D-type 8 channel line level analog connector.
8 XLR inputs for Mic
Front Panel Controls
Phantom Power: On/Off: +48V
Gain (mic): 0dB to 60dB
Gain (line): -10dB to +10 dB
Gain (instrument): 0dB to 60dB (Impedance > 1MW)
Phase Reverse: On/Off (Channel 1 & 2 only)
High Pass filter: On/Off: -12dB / octave. š6dB at 75 Hz
Dynamics: Limiter threshold is fixed at 20dBu. Compressor threshold and ratio is variable
Frequency select: Switchable (44.1, 48, 88.2, 96 kHz)
Dither: 24, 20 or 16 bit
Signal Present: -20dBFS (green LED)
Overload: +22dBu (red LED)
Compressor mode: Yellow LED intensity increases with compression
Hard Limit mode: Red LED on when limiting (threshold = +20 dBu)
Analog Output: 25 pin D-type 8 channel analog connector.
THD: 0.001% @ 20dBu input, mic and line at 0dB gain
Noise: -96 dB at unity gain through the unit
Mic EIN: -128 dBu @ 6dB of gain with 150W termination
impedance
Frequency response: -1 dB at 10 Hz to 200 kHz
Dimensions: 480mm (w) x 44 mm (H) x 265 (D)
Weight: 3.2 Kg
 


Potrošački krediti: 
Bez PDV-a:

 
ZOOM
ZOOM
WHARFEDALE HIFI
NAD
BLACK RHODIUM
PEARL
PEARL
BLACK RHODIUM

 
Kontakt
MALOPRODAJA
Nehajska 59
HR-10000 Zagreb
Radno vrijeme:
Pon-pet:
9:00 - 18:00
Sub: 9:00 - 14:00
 
Tel : 01 5499-725
Fax: 01 5499-726
Email: prodaja@provox.hr
----------------------------
 
VELEPRODAJA
Nehajska 59
HR-10000 Zagreb
Radno vrijeme:
Pon - Pet: 9:00 - 17:00
 
Tel: 01 5499-725
Fax: 01 5499-726
veleprodaja@provox.hr

Provox Multimedia
Provox Games
Studio Šišmiš