A direct recording processor, w/compressor, de-esser & exciter. It has a single Red Range mic pre, a mono channel from the Red 3. The combo of mic pre-amp & dynamics section, makes it a cost-effective single-channel processor. Combining the Focusrite mic pre-amp with a compressor, limiter and de-esser/exciter, the Red 7 is a superb, single-channel dynamics processor, ideal for high quality recording, notably voice-overs and other vocal applications.

Features:
Line input balance control, Scribble disk, Classic Focusrite mic pre,compressor ,de-esser
and exciter designs, Illuminated push-button switches for compressor in/out, de-esser/exciter
in/out and high pass filter in/out, Precision VU metering of signal level or gain change (switched). The Red 7 employ the same superb mic pre-amp as the Red 1 and Red 8, with a dual-range mic gain pot that allows precise control across the full range of the device. Phantom power and phase reverse are also provided. The Line input is electronically balanced, with continuously variable gain. A high quality output fader offers +6dB gain to infinite attenuation, essential for direct recordings, or for accurate level matching after EQ and dynamics. Added to this mic pre is a full dynamics section,optimised for vocals. With its superb signal path, outstanding ease of use, and an integrated all-in-one design, it is a powerful tool for voice recording in all situations from music studios to post-production. The compressor design is taken straight from the Red 3, and as on that unit, is characterised by low noise and distortion even with heavy processing. Relatively heavy compression can be applied whilst retaining a transparent natural sound. Ratio, gain make-up,threshold,attack and release are all continuously variable, and a program dependent auto-release mode can be switched in. A swept high-pass filter allows effective treatment of problems such as rumble, bass lift and proximity effect.