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The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU metering in a 2U space.

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The AD2022 is Avalon's fourth generation of fully discrete, symmetrical Pure Class A microphone preamplifiers. The dual mono AD2022 includes the original sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus several additional features, including selectable microphone source loading for optimized cable/mic matching, improved high-voltage Class A regulated power supplies, two high Z instrument inputs, variable-passive high pass filter, teflon/silver wiring and doubled plated circuit boards for superior low level signal transfer.

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The U5 high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand.

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Avalon microphone preamplifiers have been in use around the world since 1986. All preamplifiers share the combined technologies of low ratio transformer balanced inputs coupled with high-voltage cascade FET twin bipolar discrete class A amplifiers.

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The ISA 430 MKII represents the pinnacle of Focusrite’s analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool. Augmented with additional features and flavours, alongside unmatched internal routing and connectivity, the ISA 430 MKII enables today’s recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor. Focusrite’s iconic status as the leading manufacturer of channel strips remains unrivalled.

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June 2003 sees the launch of the Platinum TwinTrak Pro, the latest innovative member of the award-winning Focusrite Platinum range. Designed principally as an affordable, high-specification dual mono/stereo tracking device, TT Pro (as it's affectionately known) also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19" rack-mount chassis.

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The award-winning Class A preamp captures every nuance from any source, whilst latency-free monitoring ensures direct and delay-free mix control. Tools such as the voice-optimized EQ, Vintage Harmonics and Tube Sound allow you to get creative with a touch of class, putting your own stamp on every recording.

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NAMM 2002 saw the unveiling of the latest Focusrite processor, the Platinum OctoPre. Providing 8 pristine discrete channels of Focusrite Class A mic pre and compression, OctoPre routes directly to any digital audio workstation via eight standard analog outputs, or via a choice of 2 optional 24-bit, 96kHz A/D converters. The new OctoPre offers the unique qualities associated with the Focusrite name at an affordable price.

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High quality tracking at a new affordable price. Never before has there been such an affordable tracking device which still manages to encompass the design philosophy and integrity that have ensured that Focusrite be held in such high esteem over so many years.

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Every dynamics processor you'll ever need, squeezed into one 2U rack-mountable unit, the Penta will go down in your recording history as one of the best investments you ever made.

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The ISA 428 Pre Pack is the perfect multi-channel front end for any professional DAW. Four classic Focusrite transformer-based pre amps with switchable impedance and direct instrument inputs. An optional eight channel 192kHz ADC, preceded by the all new proprietory Soft Limiter circuit, provides the perfect path into your Pro Tools HD system.

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The ISA 220 Session Pack provides all you need to record your session with precision and Focusrite sonic performance. It features many of the original circuits of the flagship ISA 430 Producer Pack along with some new features of its own. It also features the same digital option as the ISA 430, providing you with a high quality digital route direct from the 220 into your digital recording system.

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Four perfectly matched channels of the ultimate mic pre-amp, whose design uses the same topology as the fabled ISA 215 pre-amps. The result is a phenomenal set of specifications, and probably the most revealing yet forgiving mic amp in history.

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The Red 7 is a powerful and versatile direct recording processor, featuring a compressor, de-esser and exciter. It features a single Red Range mic pre, plus a mono channel of the dynamics from the Red 3, with the addition of a de-esser/exciter

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Two perfectly matched channels of the ultimate mic pre-amp -ideal for stereo recording.

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This is the ultimate all in one recording channel, Tube mic pre with DI, Tube Opto-Compressor, 3 band Pultec style eq, freq selectable De-esser and Peak Limiter, Your tracks deserve this. Primarily, it is a voice processor which in itself is not a novel idea, but the time had come to pull out all the stops and make a truly professional high-end statement. One that covered the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics. Full of features, timeless style, robust build quality, and that world-famous "Manley Sound", we present to you the MANLEY VOXBOX.

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Get as loud as you want with SLAM! Manley's SLAM! mic preamp and limiter is an invaluable addition to any studio. The sound is clean, the performance is professional, and it's made by one of the most respected pro audio manufacturers around. But what it all comes down to is that SLAM! makes things LOUD. SLAM! is a Stereo Limiter And Mic pre (S.L.A.M.! get it?) that features superlative Class A tube mic preamps on both channels with switchable phantom power and phase reverse. Both channels also include two amazing limiters which combine Manley's Electro-Optical Levelling Amp circuit with an extremely fast FET based brick-wall limiter - two powerful world-class tools that can be uniquely blended and mixed to taste and purpose. All-in-all, the result is a fast, clean, and extremely punchy sou

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The MANLEY all-tube microphone preamplifiers are available in 2-channel or single channel versions, primarily intended for use with modern capacitor (condenser) microphones. Now, 40 to 60 dBs of gain, enough for most ribbon mics, are selectable in precise 5dB steps by varying the amount of overall negative feedback on the GAIN switch. This is a very interesting feature indeed, allowing you to change the slew rate (speed), placement, and tonal balance of the sound from mellow and "tubey-er" through to faster, punchier and more aggressive.

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The Langevin Dual Vocal Combo is a 2 channel microphone preamplifier with 2 shelf equalizers plus 2 channels of electro-optical limiters. The combo is the result of suggestions from our customers to combine two of the most popular Langevin products and make the price irresistible, half the price of the VOXBOX® combo in fact, for 2 channels of great sounding all discrete channel strips.

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If you’re looking for a whole lot of preamp on a tight budget, you’ll see where this popular product gets its name. Affordability and performance make the Audio Buddy is one of the most popular mic preamps in home recording today. You get professional microphone support along with line inputs impedance-matched for ideal performance with electric guitar and bass. Simply put, the Audio Buddy is a workhorse mic preamp that sounds great and won’t hurt your budget.

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Combining a precisely matched octet of discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage, the HV-3C (tm) is an entirely "double balanced," extremely wide dynamic range stereo microphone preamplifier intended for demanding acoustic recording. Unlike "textbook" mic preamplifiers, the HV-3C signal path never unbalances or rebalances the original signal — thus maintaining a high degree of signal integrity. Over 20,000 channels of HV-3 micamps are already in use by a who's-who in critical acoustic recording.

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The Millennia HV-3D-4 is four channel, fully matched microphone preamplifier of uncompromising sonic character, technical specification, and mechanical workmanship. The HV-3D offers multiple channels of HV-3B preamplifiers at significantly less per-channel cost.

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The Millennia HV-3D-8 is eight channel, fully matched microphone preamplifier of uncompromising sonic character, technical specification, and mechanical workmanship. The HV-3D offers multiple channels of HV-3B preamplifiers at significantly less per-channel cost.

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Honey! I shrunk the Origin! Introducing the TD-1 TWIN DIRECT Recording Channel. TWIN DIRECT is a compact yet sophisticated analog "channel strip" for microphones, electric guitars and basses, acoustic instrument transducers, keyboards, DAWs, and all MIDI systems. TWIN DIRECT includes Millennia's acclaimed HV-3 microphone preamplifier, making TD-1 an uncompromised front-end for virtually any audio recording application. Some have called TD-1 a Mini-Origin

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"All-In-One" Recording System The Origin STT-1 is a single channel music recording system offering a selection of Millennia's core vacuum tube -or- solid state circuits, including mic preamps, line input with gain, opto-compressor/limiters, parametric equalizers, DI instrument input with gain, and opto-inductive de-essers.

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The OctaMic D includes the optional OctaMic ADC module, which can also be added to the OctaMic basic version later on. The ADC module adds 8 channels of pristine 192 kHz AD-conversion, available as double ADAT output (S/MUX, up to 96 kHz), and simultaneously via DB-25 connector as 4 AES outputs (up to 192 kHz). The ADC can be clocked internally (master), and externally via word clock and AES sync.

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Surround miking is a major issue for all artists seeking to produce 5.1 music that is both realistic and equal to the resolution of the best stereo recordings. SPL of Germany is proud to introduce the first complete 5.1 microphone solution that addresses both ease of use and quality of audio. The Atmos 5.1 system is a fully integrated surround microphone mixer package using Brauner of Germany mic elements in the ASM 5 array and the custom designed, hand built SPL ATMOS 5.1 mixer. The entire system can be set up in minutes to reveal discrete 5.1 recordings of highest possible fidelity.

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The Channel One is a complete channel strip with all the tools onboard for recording voices, instruments and digital or analog audio sources with the highest sound quality: a transistor/tube preamplifier, a de-esser, a compressor/limiter with noise gate, an EQ section and a headphone monitor.

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Nowadays typical preamps are designed on an either-or basis — either solid state or tube. With these designs the engineer has a non integrated and thus often frustrating choice between a pure, neutral solid state recording or one unavoidably influenced by tubes. While the engineer may find solutions for one application with one microphone, a preamplifier for different situations, mics and instruments must provide a commensurate range of choices—like the GainStation preamps.

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Increase your track power eightfold in only 2U—Thanks to exceptional headroom throughout its design and the superb signal regulation of its limters, the GainStation8 is the perfect front end for multi-track recordings or AD converters.

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Like its successful predecessor, the GoldMike Mark2 retains a hybrid solid state and tube construction to combine the best of both worlds. The transistor stage is composed of single transistors in a class A design. The circuitry is fully discrete, and each transistor is completely optimized for its specific task. This all new discrete class A transistor stage is a genuine innovation in the entire preamplifier market at this price level.

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The GoldMike is a dual channel, hybrid solid state/tube microphone preamplifier with outstanding tonal qualities, especially suitable for recording voices and acoustic instruments. The high dynamic range (111 dB) and absence of noise qualifies the GoldMike as an ideal partner for high-resolution HD recording systems. Two separate mono blocks guarantee perfect channel separation and a brilliant spatial definition for stereo recordings.

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The Track One is a complete mono channel strip for the high-quality recording and processing of vocals and instruments and in spite of its high level of performance, it is very competitively priced. It is ideal for the fast and reliable recording of vocals or acoustic instruments but also suitable for live performance and AV post-editing.

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The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console. Third in the Universal Audio Classics product line, the 2-610 follows the 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier in our commitment to authentic analog recording technology.

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The Universal Audio M610 is mono version of the 2-610 , with a simplified EQ section. Other than that, the sound and features are identical to the 2-610. It has the same vibrant high frequency response and deep, gorgeous low end that has graced countless recordings and continues Universal Audio’s reputation for sonic excellence.

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The Universal Audio 2108 is our two-channel discrete, Class A solid state microphone preamplifier, based on the legendary Universal Audio 1108 preamplifier. The 1108 was a modular, single stage preamplifier designed by Bill Putnam Sr. in the early sixties. Its characteristic design later became the basis of the 1176LN Limiting Amplifier, the most celebrated solid-state peak limiter of all time. The 1176LN and 2108 share identical output amplifier circuits and components, including the custom transformer, which is a critical element to the cherished trademark sound.