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The MFC's two filters are true analogue giving that indefinable extra warmth that only analogue circuitry can deliver. Ideal for live and studio work, the MFC42 will appeal to a wide variety of musicians from hip hop and R&B where it will add a rich, deep warm analogue feel to techno, hip hop and new age where you can add big filter sweeps and extreme resonance.

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The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space. Ideal for high performance DAW input signal conditioning, stereo buss compression-EQ, stereo keyboards and analog mastering applications.

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The AD2044 features 100% discrete, pure class A signal amplifier configured with high speed current monitored optical control elements. These "invisible" opto elements enable the AD2044 to deliver totally transparent, low noise gain reduction within the minimalist signal path design. No VCAs are incorporated. Variable attack and release controls plus side chain access, provide unlimited creative control from soft compression to hard limiting.

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The Platinum Compounder is a high performance dynamics processor designed for the quality conscious professional and project studio owner. This highly featured unit is an essential tool for any style of music. The combination of high-quality compression with the powerful Bass Expander, make this unit a must have for any dance music engineer or musician.

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The ISA 430 MKII represents the pinnacle of Focusrite’s analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool. Augmented with additional features and flavours, alongside unmatched internal routing and connectivity, the ISA 430 MKII enables today’s recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor. Focusrite’s iconic status as the leading manufacturer of channel strips remains unrivalled.

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A Class A VCA-based dual mono/stereo compressor/limiter. The Red 3 employs a single-VCA design to achieve high quality and truly independent compression and limiting, w/out the compromise and over-processing involved in traditional designs.

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The Focusrite Blue 230 is a special version of the Red 3 dual compressor/limiter,optimised for broadcast applications. It features the same award-winning signal path as the Red 3, but with switched control of critical parameters for improved recall.

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Professional Design! No Compromises! Audio professionals in all fields consider the Electro-Optical to be one of the finest limiters you can buy. The Electro-Optical delivers a very natural, musical sound, with enough flexibility to give you plenty of creative control. Its fast attack makes it ideal for recording and tracking, and even live work. If you're looking for a reliable compressor for vocals, peak limiting of individual instruments, room mics on drums, or fully professional-sounding 'squashing' effects, the Electro-Optical is a smart choice.

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The Manley Variable Mu® Limiter Compressor amp is a favorite of producers and recording engineers, and one listen to what this device does for your sound will make you a believer, too! Anyone who has heard the classic Fairchild 670 Series limiters in action has an idea of the Variable Mu Limiter Compressor capabilities. But the sound is even sweeter with the Variable Mu Limiter Compressor.

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Get as loud as you want with SLAM! Manley's SLAM! mic preamp and limiter is an invaluable addition to any studio. The sound is clean, the performance is professional, and it's made by one of the most respected pro audio manufacturers around. But what it all comes down to is that SLAM! makes things LOUD. SLAM! is a Stereo Limiter And Mic pre (S.L.A.M.! get it?) that features superlative Class A tube mic preamps on both channels with switchable phantom power and phase reverse. Both channels also include two amazing limiters which combine Manley's Electro-Optical Levelling Amp circuit with an extremely fast FET based brick-wall limiter - two powerful world-class tools that can be uniquely blended and mixed to taste and purpose. All-in-all, the result is a fast, clean, and extremely punchy sou

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The Twincom (TCL-2) is an ultra-transparent, two channel opto-compressor/limiter offering Class-A biased all discrete J-FET solid-state operation or Class-A biased all triode vacuum tube operation at the touch of a button.

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The Kultube is an extremely versatile compressor with a broad range of control facilities that cover all typical compressor applications. From improved stereo mixes in the “MIDI Studio“ to surround mastering with several devices connected, all jobs can be undertaken to the highest degree of sound quality.

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The DynaMaxx is used for unobstrusive compression or as sound tool delivering compression effects. It makes use of the new THAT 2181 VCAs in Differential-Drive technology for maximum transparency, dynamics, and lowest distortion. DynaMaxx is equipped with XLR-connectors and TRS stereo jacks for balanced operation.

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The must-have Vitalizer version with bass compressor and stereo expander. Exceptionally versatile sound processor injects vibrancy into recordings masterings and sound reinforcement systems.

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The Track One is a complete mono channel strip for the high-quality recording and processing of vocals and instruments and in spite of its high level of performance, it is very competitively priced. It is ideal for the fast and reliable recording of vocals or acoustic instruments but also suitable for live performance and AV post-editing.

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The mother of all dynamic envelope modelers allows signal attacks to be accelerated or slowed down and sustain prolonged or shortened. Unlike traditional compressors the Transient Designer processes level-independent and provides consistent results regardless of input signal levels.

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The mother of all dynamic envelope modelers allows signal attacks to be accelerated or slowed down and sustain prolonged or shortened. Unlike traditional compressors the Transient Designer processes level-independent and provides consistent results regardless of input signal levels.

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The Ultimate Production Limiter and Optimizer! The DBMax was designed specifically for use in broadcast, although it works great in any application, including post production, CD mastering, and surround production. The DBMax optimizes the signal for any use you choose. You can select any of the presets; choose "wizard" and let DBMAX make all of the decisions for you; or if you prefer, go in and tweak to your heart's content. DBMAX comes with 52 ROM presets, and room for 128 user presets.

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Taking the most recent loudness research into account, DB8 ensures consistency across programs without the need for previewing or a priori measuring of level. DB8 offers simultaneous Realtime Loudness Control, Multiband Processing, Format Conversion, Limiting and on-line Delay. All processing and I/O is done at state-of-the-art resolution and attention to detail, ensuring that DB8 is the strongest link of a broadcast or linking chain. DB8 contains 4 separate processors, each capable of dealing with Mono, Stereo, LtRt or 5.1 signals. For example, one DB8 can process 8 different mono, 4 different stereo, or a combination of mono, stereo and 5.1 signals.

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Audio professionals passionate about their compressors revere the LA-2A. The original was immediately acknowledged for its natural compression characteristics. A unique electro-optical attenuator system allows instantaneous gain reduction with no increase in harmonic distortion – an accomplishment at the time, still appreciated today.

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Finally, a true stereo 1176! With over 2000 units already sold to date since the year 2000 re-birth of Universal Audio’s 1176LN, it is clear the public’s love affair with the legendary sound of the 1176 is still as passionate as ever.

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The Weiss 102 Series split band De-Esser is one of the mastering industy's most highly praised digital products. Now Weiss engineers have taken their De-Esser design and combined it with the best features of the time proven 102 Series Dynamics Processors. The result is the Gambit DS1, a stand alone digital Dynamics Processor with unparalleled performance and sonic tegrity.

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The Gambit DS1-MK2 is a compressor / limiter / de-esser, supporting all the features needed in a DVD or CD mastering environment: 96kHz 40bit processing, simultaneous de-essing and limiting spiced with a host of signal processing capabilities.