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The MFC's two filters are true analogue giving that indefinable extra warmth that only analogue circuitry can deliver. Ideal for live and studio work, the MFC42 will appeal to a wide variety of musicians from hip hop and R&B where it will add a rich, deep warm analogue feel to techno, hip hop and new age where you can add big filter sweeps and extreme resonance.

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The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU metering in a 2U space.

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The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space. Ideal for high performance DAW input signal conditioning, stereo buss compression-EQ, stereo keyboards and analog mastering applications.

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The AD2022 is Avalon's fourth generation of fully discrete, symmetrical Pure Class A microphone preamplifiers. The dual mono AD2022 includes the original sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus several additional features, including selectable microphone source loading for optimized cable/mic matching, improved high-voltage Class A regulated power supplies, two high Z instrument inputs, variable-passive high pass filter, teflon/silver wiring and doubled plated circuit boards for superior low level signal transfer.

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The AD2044 features 100% discrete, pure class A signal amplifier configured with high speed current monitored optical control elements. These "invisible" opto elements enable the AD2044 to deliver totally transparent, low noise gain reduction within the minimalist signal path design. No VCAs are incorporated. Variable attack and release controls plus side chain access, provide unlimited creative control from soft compression to hard limiting.

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The AD2055 combines 100% discrete, pure class A signal amplifiers with state-of- the-art passive and active filter topologies. The AD2055's unique circuitry delivers very high resolution transient detail at the operational extremes of real world equalization demands. The AD2055 auto-bias DC servo loop control eliminates the need for all interstage capacitor coupling. The AD2055 breathes life into all musical performances!

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The AD2077 mastering equalizer is an ultraistic design optimizing absolute signal integrity. Design features include 100% discrete pure class A signal amplifiers, state-of-the-art passive and active filter topologies and a DC coupled minimalist signal path. These unique designs offer the professional mastering engineer alternate tone selections in both filter domains while delivering the highest resolution and wide dynamic range with very low noise. Custom gold rotary switches give accuracy in 0.5dB, 1dB and 2dB steps. 104 switched frequencies per channel with X I0 range selectors provide frequency selections from 12Hz to 25kHz at 1/4 octave intervals. The Avalon AD2077 mastering equalizer is the most musically transparent analog EQ available today!

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The U5 high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand.

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Avalon microphone preamplifiers have been in use around the world since 1986. All preamplifiers share the combined technologies of low ratio transformer balanced inputs coupled with high-voltage cascade FET twin bipolar discrete class A amplifiers.

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Our compact signal distribution wizard has helped countless musicians and engineers solve diverse problems, whether as a splitter, line mixer or level conditioner. Regardless of your application, the MX882 keeps your signal paths short and clean. And its multiple matching amplifiers allow you to convert home-recording level to professional level and vice versa.

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Our compact signal distribution wizard has helped countless musicians and engineers solve diverse problems, whether as a splitter, line mixer or level conditioner. Regardless of your application, the MX882 keeps your signal paths short and clean. And its multiple matching amplifiers allow you to convert home-recording level to professional level and vice versa.

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The ULTRA-DI DI20 is an innovative active 2-channel DI-box/splitter that takes the signal directly from an unbalanced high-impedance output—like an electric guitar—and feeds it directly into a mixing console or recorder. It is ideally suited to augment the traveling gear of musicians (especially guitar/bass players) as well as live/studio/broadcast engineers, installation contractors and studios/live event engineers. The DI20 converts 2 separate unbalanced 1/4" jack inputs into 2 balanced XLR outputs. There is a 2-channel/link mode for flexible usage as mono, 2-channel or splitter box. In link mode, channel 1 can be split up into 2 balanced XLR connectors plus 1 unbalanced 1/4" jack connector. Switchable input attenuation in 3 ranges allows input levels of up to +48 dBu, while a ground lif

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Eleven™ Rack is a revolutionary new guitar recording and effects processing system designed to eliminate the challenges guitarists have faced in the studio and on stage.

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Eventide's Most Powerful Effects Processor Ever - The Ultimate Desert Island Processor - Featuring nearly sixteen hundred post-production and music effects preset-algorithms, never before has Eventide unleashed so much power for your creative endeavors.

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The Most Powerful Two-Channel Effects Processor You Can Buy - The H7600 provides 1100 preset-algorithms, 174-second sampler, and sorting capabilities for unprecedented stereo effects processing prowess. Eventide Harmonizer® effects processors are considered “classics” by musicians and audio professionals.

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Total Remote Control For Your Orville Processors! The EVE/NET box is a compact, full capability remote unit, which provides total control of your Orville processor. It allows simultaneous control of up to eight program parameters utilizing innovative rotary encoders with integral LED circular bar displays which indicate current settings. The flexibility of the EVE/NET system makes it an ideal choice for multi-room recording, post production and broadcast facilities, as well as live sound venues.

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For years, you've been asking for a compact Eventide effects processor. Now it's here! The Eclipse provides the power, performance and signature Eventide audio effects in a single rack space unit, Eventide's first in that configuration. The audio performance surpasses anything in its class, with 24-bit digital conversion, 96kHz sampling and a signal to noise ratio exceeding 104dB. Digital S/PDIF and AES/EBU I/O, analog balanced and unbalanced I/O and ADAT lightpipe supported. Includes Eventide's signature pitch change, reverb, and special effects program presets, all with uncompromising quality.

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For years, you've been asking for a compact Eventide effects processor. Now it's here! The Eclipse provides the power, performance and signature Eventide audio effects in a single rack space unit, Eventide's first in that configuration. The audio performance surpasses anything in its class, with 24-bit digital conversion, 96kHz sampling and a signal to noise ratio exceeding 104dB. Digital S/PDIF and AES/EBU I/O, analog balanced and unbalanced I/O and ADAT lightpipe supported. Includes Eventide's signature pitch change, reverb, and special effects program presets, all with uncompromising quality.

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Amazing Reverb! The Reverb 2016 recreates the legendary reverb algorithms of Eventide's SP2016 - Stereo Room, Room Reverb and High Density Plate. Every aspect of the original effects has been duplicated including every detail of the user parameters. While the algorithms are identical to the originals, the hardware implementation is state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit analog audio I/O, digital I/O and MIDI interface.

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June 2003 sees the launch of the Platinum TwinTrak Pro, the latest innovative member of the award-winning Focusrite Platinum range. Designed principally as an affordable, high-specification dual mono/stereo tracking device, TT Pro (as it's affectionately known) also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19" rack-mount chassis.

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The award-winning Class A preamp captures every nuance from any source, whilst latency-free monitoring ensures direct and delay-free mix control. Tools such as the voice-optimized EQ, Vintage Harmonics and Tube Sound allow you to get creative with a touch of class, putting your own stamp on every recording.

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NAMM 2002 saw the unveiling of the latest Focusrite processor, the Platinum OctoPre. Providing 8 pristine discrete channels of Focusrite Class A mic pre and compression, OctoPre routes directly to any digital audio workstation via eight standard analog outputs, or via a choice of 2 optional 24-bit, 96kHz A/D converters. The new OctoPre offers the unique qualities associated with the Focusrite name at an affordable price.

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High quality tracking at a new affordable price. Never before has there been such an affordable tracking device which still manages to encompass the design philosophy and integrity that have ensured that Focusrite be held in such high esteem over so many years.

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Every dynamics processor you'll ever need, squeezed into one 2U rack-mountable unit, the Penta will go down in your recording history as one of the best investments you ever made.

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The Platinum Compounder is a high performance dynamics processor designed for the quality conscious professional and project studio owner. This highly featured unit is an essential tool for any style of music. The combination of high-quality compression with the powerful Bass Expander, make this unit a must have for any dance music engineer or musician.

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The ISA 430 MKII represents the pinnacle of Focusrite’s analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool. Augmented with additional features and flavours, alongside unmatched internal routing and connectivity, the ISA 430 MKII enables today’s recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor. Focusrite’s iconic status as the leading manufacturer of channel strips remains unrivalled.

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The ISA 428 Pre Pack is the perfect multi-channel front end for any professional DAW. Four classic Focusrite transformer-based pre amps with switchable impedance and direct instrument inputs. An optional eight channel 192kHz ADC, preceded by the all new proprietory Soft Limiter circuit, provides the perfect path into your Pro Tools HD system.

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The ISA 220 Session Pack provides all you need to record your session with precision and Focusrite sonic performance. It features many of the original circuits of the flagship ISA 430 Producer Pack along with some new features of its own. It also features the same digital option as the ISA 430, providing you with a high quality digital route direct from the 220 into your digital recording system.

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Four perfectly matched channels of the ultimate mic pre-amp, whose design uses the same topology as the fabled ISA 215 pre-amps. The result is a phenomenal set of specifications, and probably the most revealing yet forgiving mic amp in history.

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A dual equaliser which features Focusrite’s much sought-after warmth and smoothness. Features include 4 band EQ - HF and LF shelving, true parametric High- and Low- Mids, and High-pass and Low-pass filters.

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A Class A VCA-based dual mono/stereo compressor/limiter. The Red 3 employs a single-VCA design to achieve high quality and truly independent compression and limiting, w/out the compromise and over-processing involved in traditional designs.

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The Red 7 is a powerful and versatile direct recording processor, featuring a compressor, de-esser and exciter. It features a single Red Range mic pre, plus a mono channel of the dynamics from the Red 3, with the addition of a de-esser/exciter

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Two perfectly matched channels of the ultimate mic pre-amp -ideal for stereo recording.

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The Focusrite Blue 230 is a special version of the Red 3 dual compressor/limiter,optimised for broadcast applications. It features the same award-winning signal path as the Red 3, but with switched control of critical parameters for improved recall.

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The ISA 430 MKII represents the pinnacle of Focusrite’s analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool. Augmented with additional features and flavours, alongside unmatched internal routing and connectivity, the ISA 430 MKII enables today’s recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor. Focusrite’s iconic status as the leading manufacturer of channel strips remains unrivalled.

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The Platinum MixMaster is a stereo dynamics, equalisation and image processor using classic analogue design to add the perfect finish to your mix. The MixMaster brings professional mastering within reach of every studio.

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The Kurzweil KSP8 multi-bus signal processor is an 8-channel effects system designed for the professional engineer, producer, or musician who requires high-performance effects, excellent sound quality, and unparalleled real-time control. It has over twice the processing power of KDFX, the world-class effects system found in Kurzweil's award-winning K2600 synthesizer.

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The Kurzweil KSP8 multi-bus signal processor is an 8-channel effects system designed for the professional engineer, producer, or musician who requires high-performance effects, excellent sound quality, and unparalleled real-time control. It has over twice the processing power of KDFX, the world-class effects system found in Kurzweil's award-winning K2600 synthesizer.

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Powered by Lexicon's proprietary Lexichip, the MPX 550 24-Bit Dual Channel Processor has 240 presets with classic, authentic stereo programs, including Ambience, Plate, Chamber and Inverse, as well as Tremolo, Rotary, Chorus, Flange, Pitch, Detune, 5.5 second Delay and Echo. Dual-channel processing gives you completely independent effects on the left and right channels.

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The 960L sets the new industry standard for stereo and multi-channel reverbs while providing enough flexibility to grow as formats evolve. With support for 16 channels of I/O, the 960L meets the demands of any application today with ample flexibility to address the demands of tomorrow.

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The PCM 91 Digital Reverberator offers Lexicon's high-quality reverbs in a compact, affordable package with a powerful interface which allows both easy access and a wealth of programming capabilities for the sound designer.

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The MPX 110 replaces the MPX 100 as Lexicon’s most affordable dual-channel processor. A true stereo processor, the MPX 110 includes 24-bit analog-to-digital and digital-to-analog conversion, and relies on the proprietary Lexichip engine to perform 24-bit internal processing.

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The MPX 1 is the processor that fulfills the promise implied by the term, "multi-effects." Multiple Processor FX technology combined with an interactive front panel, creates a new set of standards for others to follow.

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The PCM 81 Digital Effects Processor has everything that made the PCM 80 the top choice among studio effects processors – and more. More effects, more algorithms, longer delay, and full AES/EBU I/O. Each effect has an uncompromised stereo reverb with several voices of additional effects.

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Professional Design! No Compromises! Audio professionals in all fields consider the Electro-Optical to be one of the finest limiters you can buy. The Electro-Optical delivers a very natural, musical sound, with enough flexibility to give you plenty of creative control. Its fast attack makes it ideal for recording and tracking, and even live work. If you're looking for a reliable compressor for vocals, peak limiting of individual instruments, room mics on drums, or fully professional-sounding 'squashing' effects, the Electro-Optical is a smart choice.

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Twice the EQ! Half the Coloration! Equalization is like salt; a little pinch and it can be just what your sonic stew needs; too much can ruin the whole bowl. The Massive Passive is an artist's EQ, an EQ that doesn't sound like an EQ. It's a two channel, four band equalizer, with additional high pass and low pass filters. With the Massive Passive you can add totally natural and "organic" sounding timbres to your overall sound, subtly sweetening or shading audio to achieve the desired effect. The amount of control you get is amazing, while the sound remains completely natural. The great performance of the Massive Passive is due to its special design. No active circuitry is used for tone shaping (that's the "passive" part). Only metal film resistors, film capacitors and hand-wound inductors s

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This is the ultimate all in one recording channel, Tube mic pre with DI, Tube Opto-Compressor, 3 band Pultec style eq, freq selectable De-esser and Peak Limiter, Your tracks deserve this. Primarily, it is a voice processor which in itself is not a novel idea, but the time had come to pull out all the stops and make a truly professional high-end statement. One that covered the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics. Full of features, timeless style, robust build quality, and that world-famous "Manley Sound", we present to you the MANLEY VOXBOX.

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Get as loud as you want with SLAM! Manley's SLAM! mic preamp and limiter is an invaluable addition to any studio. The sound is clean, the performance is professional, and it's made by one of the most respected pro audio manufacturers around. But what it all comes down to is that SLAM! makes things LOUD. SLAM! is a Stereo Limiter And Mic pre (S.L.A.M.! get it?) that features superlative Class A tube mic preamps on both channels with switchable phantom power and phase reverse. Both channels also include two amazing limiters which combine Manley's Electro-Optical Levelling Amp circuit with an extremely fast FET based brick-wall limiter - two powerful world-class tools that can be uniquely blended and mixed to taste and purpose. All-in-all, the result is a fast, clean, and extremely punchy sou

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Get as loud as you want with SLAM! Manley's SLAM! mic preamp and limiter is an invaluable addition to any studio. The sound is clean, the performance is professional, and it's made by one of the most respected pro audio manufacturers around. But what it all comes down to is that SLAM! makes things LOUD. SLAM! is a Stereo Limiter And Mic pre (S.L.A.M.! get it?) that features superlative Class A tube mic preamps on both channels with switchable phantom power and phase reverse. Both channels also include two amazing limiters which combine Manley's Electro-Optical Levelling Amp circuit with an extremely fast FET based brick-wall limiter - two powerful world-class tools that can be uniquely blended and mixed to taste and purpose. All-in-all, the result is a fast, clean, and extremely punchy sou

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The MANLEY all-tube microphone preamplifiers are available in 2-channel or single channel versions, primarily intended for use with modern capacitor (condenser) microphones. Now, 40 to 60 dBs of gain, enough for most ribbon mics, are selectable in precise 5dB steps by varying the amount of overall negative feedback on the GAIN switch. This is a very interesting feature indeed, allowing you to change the slew rate (speed), placement, and tonal balance of the sound from mellow and "tubey-er" through to faster, punchier and more aggressive.

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MANLEY LABORATORIES is the only authorized user of the original Western Electric passive EQ circuitry previously licensed to Pulse Techniques, Inc. found in the well-known (and still sought after in the used market) antique Pultecs. (Yes, we bothered to hunt down Eugene Shenk about ten years ago in New Jersey to ask for his permission and blessings. EveAnna was there.)

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MANLEY LABORATORIES is the only authorized user of the original Western Electric passive EQ circuitry previously licensed to Pulse Techniques Inc. found in the well-known (and still sought after in the used market) antique Pultecs. EQ may be set to "flat" positions or BYPASSED entirely.

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Specially useful for midband oriented instruments such as guitars, vocals, harmonicas, and violins, the MID FREQUENCY ENHANCED PULTEC EQ (MEQ-5 type) shares the same features and specifications as our ‘EQP-1A’ version.

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The Langevin Dual Vocal Combo is a 2 channel microphone preamplifier with 2 shelf equalizers plus 2 channels of electro-optical limiters. The combo is the result of suggestions from our customers to combine two of the most popular Langevin products and make the price irresistible, half the price of the VOXBOX® combo in fact, for 2 channels of great sounding all discrete channel strips.

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Specifically intended for mastering or absolute Archival copy-making, our all-tube Tape Head-Preamps have no equal, past or present. We are proud to have supplied these to many of the world's greatest cutting rooms. The Manley Tape Head Preamps, being dual-chassis units, image superbly with incredible soundstage, depth, and fidelity to the original master tape.

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The Manley Variable Mu® Limiter Compressor amp is a favorite of producers and recording engineers, and one listen to what this device does for your sound will make you a believer, too! Anyone who has heard the classic Fairchild 670 Series limiters in action has an idea of the Variable Mu Limiter Compressor capabilities. But the sound is even sweeter with the Variable Mu Limiter Compressor.

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If you’re looking for a whole lot of preamp on a tight budget, you’ll see where this popular product gets its name. Affordability and performance make the Audio Buddy is one of the most popular mic preamps in home recording today. You get professional microphone support along with line inputs impedance-matched for ideal performance with electric guitar and bass. Simply put, the Audio Buddy is a workhorse mic preamp that sounds great and won’t hurt your budget.

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The NSEQ-2 is a two channel, four-band parametric equalizer offering fully Class-A operation via discrete J-FET transistors or all triode vacuum tubes selectable with the touch of a button.

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The NSEQ-2 is a two channel, four-band parametric equalizer offering fully Class-A operation via discrete J-FET transistors or all triode vacuum tubes selectable with the touch of a button.

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"All-In-One" Recording System The Origin STT-1 is a single channel music recording system offering a selection of Millennia's core vacuum tube -or- solid state circuits, including mic preamps, line input with gain, opto-compressor/limiters, parametric equalizers, DI instrument input with gain, and opto-inductive de-essers.

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The Millennia HV-3D-4 is four channel, fully matched microphone preamplifier of uncompromising sonic character, technical specification, and mechanical workmanship. The HV-3D offers multiple channels of HV-3B preamplifiers at significantly less per-channel cost.

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The Millennia HV-3D-8 is eight channel, fully matched microphone preamplifier of uncompromising sonic character, technical specification, and mechanical workmanship. The HV-3D offers multiple channels of HV-3B preamplifiers at significantly less per-channel cost.

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The Twincom (TCL-2) is an ultra-transparent, two channel opto-compressor/limiter offering Class-A biased all discrete J-FET solid-state operation or Class-A biased all triode vacuum tube operation at the touch of a button.

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Honey! I shrunk the Origin! Introducing the TD-1 TWIN DIRECT Recording Channel. TWIN DIRECT is a compact yet sophisticated analog "channel strip" for microphones, electric guitars and basses, acoustic instrument transducers, keyboards, DAWs, and all MIDI systems. TWIN DIRECT includes Millennia's acclaimed HV-3 microphone preamplifier, making TD-1 an uncompromised front-end for virtually any audio recording application. Some have called TD-1 a Mini-Origin

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Combining a precisely matched octet of discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage, the HV-3C (tm) is an entirely "double balanced," extremely wide dynamic range stereo microphone preamplifier intended for demanding acoustic recording. Unlike "textbook" mic preamplifiers, the HV-3C signal path never unbalances or rebalances the original signal — thus maintaining a high degree of signal integrity. Over 20,000 channels of HV-3 micamps are already in use by a who's-who in critical acoustic recording.

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The OctaMic D includes the optional OctaMic ADC module, which can also be added to the OctaMic basic version later on. The ADC module adds 8 channels of pristine 192 kHz AD-conversion, available as double ADAT output (S/MUX, up to 96 kHz), and simultaneously via DB-25 connector as 4 AES outputs (up to 192 kHz). The ADC can be clocked internally (master), and externally via word clock and AES sync.

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The Channel One is a complete channel strip with all the tools onboard for recording voices, instruments and digital or analog audio sources with the highest sound quality: a transistor/tube preamplifier, a de-esser, a compressor/limiter with noise gate, an EQ section and a headphone monitor.

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Nowadays typical preamps are designed on an either-or basis — either solid state or tube. With these designs the engineer has a non integrated and thus often frustrating choice between a pure, neutral solid state recording or one unavoidably influenced by tubes. While the engineer may find solutions for one application with one microphone, a preamplifier for different situations, mics and instruments must provide a commensurate range of choices—like the GainStation preamps.

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Increase your track power eightfold in only 2U—Thanks to exceptional headroom throughout its design and the superb signal regulation of its limters, the GainStation8 is the perfect front end for multi-track recordings or AD converters.

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Like its successful predecessor, the GoldMike Mark2 retains a hybrid solid state and tube construction to combine the best of both worlds. The transistor stage is composed of single transistors in a class A design. The circuitry is fully discrete, and each transistor is completely optimized for its specific task. This all new discrete class A transistor stage is a genuine innovation in the entire preamplifier market at this price level.

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The GoldMike is a dual channel, hybrid solid state/tube microphone preamplifier with outstanding tonal qualities, especially suitable for recording voices and acoustic instruments. The high dynamic range (111 dB) and absence of noise qualifies the GoldMike as an ideal partner for high-resolution HD recording systems. Two separate mono blocks guarantee perfect channel separation and a brilliant spatial definition for stereo recordings.

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The Kultube is an extremely versatile compressor with a broad range of control facilities that cover all typical compressor applications. From improved stereo mixes in the “MIDI Studio“ to surround mastering with several devices connected, all jobs can be undertaken to the highest degree of sound quality.

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The Qure is a 2-channel, parametric, 3-band EQ, ideally suited for demanding tonal shaping of individual instruments, voices and complex musical signals. Mastering applications benefit from the unique tonal potential and the sophisticated filtering design that perfectly complements the fine details of the sound being processed.

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The Stereo Vitalizer® MK2-T is an excellent and versatile tube program EQ for shaping input signals and optimizing mixes based on hearing-correct considerations and established psychoacoustic principles. Tube operation and coil filtering ensures classic tonal qualities.

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The Tube Vitalizer® is the top-of-the-line in the Vitalizer Program EQ family from SPL – the reference technology for sound optimisation featuring highest sound quality and control precision in recording and mastering. The Tube Vitalizer offers highly effective analogue technologies for audio restorations.

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The DynaMaxx is used for unobstrusive compression or as sound tool delivering compression effects. It makes use of the new THAT 2181 VCAs in Differential-Drive technology for maximum transparency, dynamics, and lowest distortion. DynaMaxx is equipped with XLR-connectors and TRS stereo jacks for balanced operation.

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The Monitor & Talkback Controller MTC 2381 combines volume level control, source switching and loudspeaker management for stereo monitoring with comfortable talkback and cue mixing functions.

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Elimination of unwanted sibilants by phase inversion instead of compression plus Auto Threshold function results in de-essing with minimal sound manipulation at maximum ease of use.

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The must-have Vitalizer version with bass compressor and stereo expander. Exceptionally versatile sound processor injects vibrancy into recordings masterings and sound reinforcement systems.

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The SPL Surround Monitor Controller (SMC) is a one-point analog volume control and switching matrix for system-independent 5.1 surround and stereo monitoring for essentially any audio application.

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The Track One is a complete mono channel strip for the high-quality recording and processing of vocals and instruments and in spite of its high level of performance, it is very competitively priced. It is ideal for the fast and reliable recording of vocals or acoustic instruments but also suitable for live performance and AV post-editing.

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The Track One is a complete mono channel strip for the high-quality recording and processing of vocals and instruments and in spite of its high level of performance, it is very competitively priced. It is ideal for the fast and reliable recording of vocals or acoustic instruments but also suitable for live performance and AV post-editing.

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The mother of all dynamic envelope modelers allows signal attacks to be accelerated or slowed down and sustain prolonged or shortened. Unlike traditional compressors the Transient Designer processes level-independent and provides consistent results regardless of input signal levels.

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The mother of all dynamic envelope modelers allows signal attacks to be accelerated or slowed down and sustain prolonged or shortened. Unlike traditional compressors the Transient Designer processes level-independent and provides consistent results regardless of input signal levels.

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The must-have Vitalizer version with bass compressor and stereo expander. Exceptionally versatile sound processor injects vibrancy into recordings masterings and sound reinforcement systems.

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The Stereo Vitalizer® MK2-T is an excellent and versatile tube program EQ for shaping input signals and optimizing mixes based on hearing-correct considerations and established psychoacoustic principles. Tube operation and coil filtering ensures classic tonal qualities.

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The Charisma 2 is a tube processor whose sophisticated circuitry enables extensive control over the tube sound characteristics. it is also capable of effects that resemble the tape saturation of analog tape machines.

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Eight-channel version of the Charisma 2 tube processor. The Charisma 8 is a tube processor whose sophisticated circuitry enables extensive control over the tube sound characteristics. it is also capable of effects that resemble the tape saturation of analog tape machines.

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Surround miking is a major issue for all artists seeking to produce 5.1 music that is both realistic and equal to the resolution of the best stereo recordings. SPL of Germany is proud to introduce the first complete 5.1 microphone solution that addresses both ease of use and quality of audio. The Atmos 5.1 system is a fully integrated surround microphone mixer package using Brauner of Germany mic elements in the ASM 5 array and the custom designed, hand built SPL ATMOS 5.1 mixer. The entire system can be set up in minutes to reveal discrete 5.1 recordings of highest possible fidelity.

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M300 is a Dual Engine Processor with high quality Reverbs and Effects.The M300 Dual Engine Processor covers virtually any effects application, from PA and Live to Studio and Club Installations by combining a dedicated true Stereo Reverb engine and a Multi-purpose Effects engine.

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Containing the entire Reverb and Delay palette of TC Electronic, Reverb 6000 is a four engine monster for professional film and music production. It delivers the finest, wildest and most research-intensive spatial effects of the audio industry today. Reverb 6000 contains the entire family of award winning VSS reverbs for mono, stereo, LtRt, 5.1 and 6.1 formats, the best algorithms and presets from M3000 and M5000 plus unique Reverb 6000 preset banks such as Halls of Fame and the Skywalker Sound Collection. Presets can be further adjusted with numerous parameters to make them just the right fit for any sound image you may be working on.

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In the summer of 2004, packed with a choice selection of precision tools for the mastering engineer, Mastering 6000 was added to the 6000 family. Mastering 6000 contains the new MD4, a 5-band dynamics processor with phase linear reconstruction that can operate in dual mono, stereo and MS modes, and has DXP low level detail enhancement capability.

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Designed for PA systems and fixed installations, the XO24 sports a new and enhanced approach to speaker management control. With flexible routing and state-of-the-art AD/AD converters, the XO24 perfectly follows the path of TC’s high quality hardware legacy combined with modern demands for ease-of-use - All functions of the XO24 are directly accessible via a simple “one-click architecture” of the user interface on the front panel.

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TC-Helicon introduces the most technologically advanced voice-processing unit on the market today. VoicePro is designed to inspire creativity and save production time by allowing all aspects of a vocal performance to be altered once the talent has left the studio.

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The System 6000 offers you multi-channel, top-quality dynamics processing tools never before available in any audio processing system. It combines elements of TC Electronic's famous M5000; a newly-developed, multi-channel version of VSS technology; and state-of-the art mastering technology with a stunning new multi-channel processing platform. What this means for you is room/environment simulation at an unbelievable level of realism, the kind that completely draws your listeners into the sound. You get multi-channel, multi-band Dynamics processing, with four-band processing of multi-channel audio, including expander, compressor and final sample accurate brickwall limiter. Sample rates up to 96kHz are covered. MD2 algorithm from M5000 has been improved to MD3, incorporating dual mono modes,

Više o proizvodu

The System 6000 offers you multi-channel, top-quality dynamics processing tools never before available in any audio processing system. It combines elements of TC Electronic's famous M5000; a newly-developed, multi-channel version of VSS technology; and state-of-the art mastering technology with a stunning new multi-channel processing platform. What this means for you is room/environment simulation at an unbelievable level of realism, the kind that completely draws your listeners into the sound. You get multi-channel, multi-band Dynamics processing, with four-band processing of multi-channel audio, including expander, compressor and final sample accurate brickwall limiter. Sample rates up to 96kHz are covered. MD2 algorithm from M5000 has been improved to MD3, incorporating dual mono modes,